Maxima Library

H.P. Lovecraft (1890-1937), the most important American supernaturalist since Poe, has had an incalculable influence on all the horror-story writing of recent decades. Altho his supernatural fiction has been enjoying an unprecedented fame, it's not widely known that he wrote a critical history of supernatural horror in literature that has yet to be superceded as the finest historical discussion of the genre. This work is presented in this volume in its final, revised text.
With incisive power, Lovecraft here formulates the esthetics of supernatural horror & summarizes the range of its literary expression from primitive folklore to the tales of his own 20th-century masters. Following a discussiom of terror-literature in ancient, medieval & renaissance culture, he launches on a critical survey of the whole history of horror fiction from the Gothic school of the 18th century (when supernatural horror found its own genre) to the time of De la Mare & M.R. James. The Castle of Otranto, Radcliffe, "Monk" Lewis, Vathek Charles Brockden Brown, Melmoth the Wanderer, Frankenstein, Bulwer-Lytton, Fouqué's Undine, Wuthering Heights, Poe (full chapter), The House of the Seven Gables, de Maupassant's The Horla, Bierce, The Turn of the Screw , M.P. Shiel, W.H. Hodgson, Machen, Blackwood & Dunsany are among those discussed in depth. He also notices a host of lesser writers--enough to draw up an extensive reading list.
By charting so completely the background for his own concepts of horror & literary techniques, Lovecraft throws light on his own fiction as well as on the horror-literature which has followed. For this reason this book will be especially intriguing to those who've read his fiction as an isolated phenomenon. Any searching for a guide thru the inadequately marked region of literary horror, need search no further.
Unabridged & corrected republication of 1945 edition. New introduction by E.F. Bleiler.

From the #1

New York Times

best-selling author of

God Is Not Great

, a provocative and entertaining guided tour of atheist and agnostic thought through the ages—with never-before-published pieces by Salman Rushdie, Ian McEwan, and Ayaan Hirsi Ali.

Christopher Hitchens continues to make the case for a splendidly godless universe in this first-ever gathering of the influential voices—past and present—that have shaped his side of the current (and raging) God/no-god debate. With Hitchens as your erudite and witty guide, you'll be led through a wealth of philosophy, literature, and scientific inquiry, including generous portions of the words of Lucretius, Benedict de Spinoza, Charles Darwin, Karl Marx, Mark Twain, George Eliot, Bertrand Russell, Emma Goldman, H. L. Mencken, Albert Einstein, Daniel Dennett, Sam Harris, Richard Dawkins, and many others well-known and lesser known. And they’re all set in context and commented upon as only Christopher Hitchens—“political and literary journalist extraordinaire” (

Los Angeles Times

).

Atheist? Believer? Uncertain? No matter:

The Portable Atheist

will speak to you and engage you every step of the way.

"The Very Old Folk" is a short story by American horror fiction writer H. P. Lovecraft. It is reportedly a recording of a dream, where the main protagonist is a Roman military official in Hispania. The countryside is, every year, ravaged by terrible hill people who kidnap citizens and perform cruel rituals at a Sabath. The narrator wishes to lead a military expedition to crush these hill folk, as a feeling of approaching evil has enveloped the countryside, due to a riot between the citizens and the hill people. These hill folk came to trade, yet some of these are killed and later, no disappearances occur before the time of the Sabath. The incursion is guided by a local-born son of Roman parents. As the Romans approach the seat of the Sabath rituals, something terrible attacks them and in an instant, horrible things come to pass: "He had killed himself when the horses screamed... He, who had been born and lived all his life in that region, and knew what men whispered about the hills. All the torches now began to dim, and the cries of frightened legionaries mingled with the unceasing screams of the tethered horses. The air grew perceptibly colder, more suddenly so than is usual at November's brink, and seemed stirred by terrible undulations which I could not help connecting with the beating of huge wings." The story ends with the narrator waking up, offering one final word of mystery: "Of the fate of that cohort no record exists, but the town at least was saved - for encyclop?dias tell of the survival of Pompelo to this day, under the modern Spanish name of Pompelona..."