Maxima Library

A Stranger to Myself: The Inhumanity of War, Russia 1941-44 is the haunting memoir of a young German soldier on the Russian front during World War II. Willy Peter Reese was only twenty years old when he found himself marching through Russia with orders to take no prisoners. Three years later he was dead. Bearing witness to—and participating in—the atrocities of war, Reese recorded his reflections in his diary, leaving behind an intelligent, touching, and illuminating perspective on life on the eastern front. He documented the carnage perpetrated by both sides, the destruction which was exacerbated by the young soldiers’ hunger, frostbite, exhaustion, and their daily struggle to survive. And he wrestled with his own sins, with the realization that what he and his fellow soldiers had done to civilians and enemies alike was unforgivable, with his growing awareness of the Nazi policies toward Jews, and with his deep disillusionment with himself and his fellow men.

An international sensation, A Stranger to Myself is an unforgettable account of men at war.

A novel about survival, self-reliance, and art, by Peter Stamm, finalist for the 2013 Man Booker International Prize.

All Days Are Night is the story of Gillian, a successful and beautiful TV host, content with her marriage to Matthias, even if she feels restless at times. One night following an argument, the couple has a terrible car accident: Matthias, who is drunk, hits a deer on the wet road and dies in the crash. Gillian wakes up in the hospital completely disfigured. Only slowly, after many twists and turns, does she put her life back together, and reconnects with a love interest of the past who becomes a possible future — or so it seems. In Stamm’s unadorned and haunting style, this new novel forcefully tells the story of a woman who loses her life but must stay alive all the same. How she works everything out in the end is at once surprising and incredibly rewarding.

Originally published in 1932 and banned by the Nazis one year later, Blood Brothers follows a gang of young boys bound together by unwritten rules and mutual loyalty.

Blood Brothers is the only known novel by German social worker and journalist Ernst Haffner, of whom nearly all traces were lost during the course of World War II. Told in stark, unsparing detail, Haffner’s story delves into the illicit underworld of Berlin on the eve of Hitler’s rise to power, describing how these blood brothers move from one petty crime to the next, spending their nights in underground bars and makeshift hostels, struggling together to survive the harsh realities of gang life, and finding in one another the legitimacy denied them by society.

With the precision of a surgeon, Peter Stamm cuts to the heart of the fragile and revealing moments of everyday life.

They are bankers, students, mothers, or retirees. They live in New York City or somewhere in Switzerland, they work in London or Riga, they cross paths in a Fado bar in Lisbon. They breathe the banal routine of daily life. It is to these ordinary people that Peter Stamm grants center stage in his latest collection of short stories. Henry, a cowherd turned stuntman, crisscrosses the country, dreaming of meeting a woman. Inger, the Dane, refuses her skimpy life and takes off for Italy. Regina, so lonely in her big house since her children left and her husband passed away, discovers the world anew thanks to the Australian friend of her granddaughter, who helps Regina envision her next voyage.

In these stories, Stamm's clean style expresses despair without flash, through softness and small gestures, with disarming retorts full of derision and infinite tenderness. There, where life hesitates, ready to tip over — with nothing yet played out — is where these people and their stories exist. For us, they all become exceptional. Praise for Unformed Landscape: "Sensitive and unnerving. . An uncommonly intimate work, one that will remind the reader of his or her own lived experience with a greater intensity than many of the books that are published right here at home." —The New Republic Online

Who would have thought that seventy-three years after Joseph Roth’s lonely death in Paris, new editions of his translations would be appearing regularly? Roth, a transcendent novelist who also produced some of the most breathtakingly lyrical journalism ever written, is now being discovered by a new generation. Nine years in the making, this life through letters provides us with our most extensive portrait of Roth’s calamitous life — his father’s madness, his wife’s schizophrenia, his parade of mistresses (each more exotic than the next), and his classic westward journey from a virtual Hapsburg shtetl to Vienna, Berlin, Frankfurt, and finally Paris.

Containing 457 newly translated letters, along with eloquent introductions that richly frame Roth’s life, this book brilliantly evokes the crumbling specters of the Weimar Republic and 1930s France. Displaying Roth’s ceaselessly inventive powers, it finally charts his descent into despair at a time when “the word had died, [and] men bark like dogs.”

My First Wife is the intense, powerful account of a marriage — and its ruinous collapse.

It is the story of Alexander Herzog, a young writer, who goes to Vienna to escape his debts and a failed love affair. There he is pursued by book-loving Ganna: giddy, girlish, clumsy, eccentric and wild. Dazzled and unnerved by her devotion to him, and attracted to the large dowry offered by her wealthy father, he thinks he can mould Ganna into what he wants. But no-one can control her troubling passions. As their marriage starts to self-destruct, Herzog will discover that Ganna has resources and determination of which he had no idea — and that he can never escape her.

Posthumously published in 1934 and based on the author Jakob Wassermann's own ruinous marriage, My First Wife bears the unmistakable aura of true and bitter experience. It is a tragic masterpiece that unfolds in shocking detail.

A new novel of artful understatement about mortality, estrangement, and the absurdity of life from the acclaimed author of Unformed Landscape and In Strange Gardens.

On a day like any other, Andreas changes his life. When a routine doctor’s visit leads to an unexpected prognosis, a great yearning takes hold of him — but who can tell if it is homesickness or wanderlust? Andreas leaves everything behind, sells his Paris apartment; cuts off all social ties; quits his teaching job; and waves goodbye to his days spent idly sitting in cafes — to look for a woman he once loved, half a lifetime ago. The monotony of days has been keeping him in check; now he hopes for a miracle and for a new beginning.

Andreas’ travels lead him back to the province of his youth, back to his hometown in Switzerland where he returns to familiar streets, where his brother still lives in their childhood home, and where Fabienne, a woman he was obsessed with in his youth, visits the same lake they once swam in together. Andreas, still consumed with longing for his lost love and blinded by the uncertainty of his future, is tormented by the question of what might have been if things had happened differently.

Peter Stamm has been praised as a “stylistic ascetic” and his prose as “distinguished by lapidary expression, telegraphic terseness, and finely tuned sensitivity” (Bookforum). In On a Day Like This, Stamm’s unobtrusive observational style allows us to journey with our antihero through his crises of banality, of living in his empty world, and the realization that life is finite — that one must live it, as long as that is possible.

Alex has spent the majority of his adult life between two very different women — and he can’t make up his mind. Sonia, his wife and business partner, is everything a man would want. Intelligent, gorgeous, charming, and ambitious, she worked tirelessly alongside him to open their architecture firm and to build a life of luxury. But when the seven-year itch sets in, their exhaustion at working long hours coupled with their failed attempts at starting a family get the best of them. Alex soon finds himself kindling an affair with his college lover, Ivona. The young Polish woman who worked in a Catholic mission is the polar opposite of Sonia: dull, passive, taciturn, and plain. Despite having little in common with Ivona, Alex is inexplicably drawn to her while despising himself for it. Torn between his highbrow marriage and his lowbrow affair, Alex is stuck within a spiraling threesome. But when Ivona becomes pregnant, life takes an unexpected turn, and Alex is puzzled more than ever by the mysteries of his heart.

Peter Stamm, one of Switzerland’s most acclaimed writers, is at his best exploring the complexities of human relationships. Seven Years is a distinct, sobering, and bold novel about the impositions of happiness in the quest for love.

The Emperor’s Tomb — the last novel Joseph Roth wrote — is a haunting elegy to the vanished world of the Austro-Hungarian Empire, and a magically evocative paean to the passing of time and the loss of hope. The Emperor’s Tomb runs from 1913 to 1938, from the eve of one world war to the eve of the next, from disaster to disaster. Striped with beauty and written in short propulsive chapters — full of upheavals, reversals and abrupt twists of plot — the novel powerfully sketches a time of change and loss. Prophetic and regretful, intuitive and exact, Roth tells of one man’s foppish, sleepwalking, spoiled youth and then his struggle to come to terms with the uncongenial society of post-First World War Vienna, financial ruin, and the first intimations of Nazi barbarities.

The Hotel Years gathers sixty-four feuilletons: on hotels; pains and pleasures; personalities; and the deteriorating international situation of the 1930s. Never before translated into English, these pieces begin in Vienna just at the end of the First World War, and end in Paris near the outbreak of the Second World War. Roth, the great journalist of his day, needed journalism to survive: in his six-volume collected works in German, there are three of fiction and three of journalism. Beginning in 1921, Roth wrote mostly for the liberal Frankfurter Zeitung who sent him on assignments throughout Germany — the inflation, the occupation, political assassinations — and abroad, to the USSR, Italy, Poland and Albania. And always: “I celebrate my return to lobby and chandelier, porter and chambermaid.”

In the small town of Progrody, Nissen Piczenik makes his living as the most respected coral merchant of the region. Nissen has never been outside of his town, deep in the Russian interior, and fantasizes that a Leviathan watches over the coral reefs. When the sailor nephew of one of Progrody’s residents comes to visit, Nissen loses little time in befriending him for the purpose of learning about the sea. The sailor offers Nissen a once-in-a-lifetime opportunity to come to Odessa and tour his ship. Nissen leaves his business during the peak coral season, and stays in Odessa for three weeks. But upon his return to Progrody, Nissen finds that a new coral merchant has moved into the neighboring town, and his coral is quickly becoming the most sought after. As his customers dwindle, life takes an evil twist for Nissen Piczenik. And the final decider of his fate may be the devil himself.

A masterpiece of twentieth-century history, only recently rediscovered in Germany, appears for the first time in English. Every few decades, a book is published that shapes Jewish consciousness. One thinks of Elie Wiesel's Night or Primo Levi's Survival in Auschwitz. In 1927, however, before these works were written, Joseph Roth (1894–1939) composed The Wandering Jews. At the time a correspondent in Berlin, emotionally ravaged by the whirlwind events of Weimar Germany, Roth examined the concept of Jewish identity and questioned what lay in store for it. Whether writing of the schism between Eastern and Western Jews, warning of the false comforts of assimilation, or eerily foreseeing the horrors posed by Nazism, The Wandering Jews remains as unforgettably vital today as it was when first published.

Written in the final days of Roth's life, it is a novella of sparkling lucidity and humanity. "Fallmerayer the Stationmaster" and "The Bust of the Emperor" are Roth's most acclaimed works of shorter fiction.

Unformed Landscape begins in a small village on a fjord in the Finnmark, on the northeastern coast of Norway, where the borders between Norway, Sweden, Finland, and Russia lie covered in snow and darkness, where the real borders are between day and night, summer and winter, and between people. Here, a sensitive young woman like Kathrine finds few outlets for her desires. Half Norwegian, half Sami (an indigenous people), Kathrine works for the customs office inspecting the fishing boats arriving regularly in the harbor. She is in her late 20s, has a son from an early marriage, and has drifted into a second loveless marriage to a man whose cold and dominating conventionality forms a bold stroke through the unformed landscape of her life. After she makes a discovery about her husband that deeply wounds her, Kathrine cuts loose from her moorings and her confusion and sets off in search of herself.

Her journey begins aboard a ship headed south, taking her below the Arctic Circle for the first time in her life. Kathrine makes her way to France and has the bittersweet experience of a love affair that flares and dies quickly, her starved senses rewarded by the shimmering beauty of Paris. Through a series of poignant encounters, Kathrine is led to the richer life she was meant to have and is brave enough to claim.

Using simple words strung together in a melodic alphabet, Peter Stamm introduces us, through a series of intimate sketches, to the heart of an unforgettable woman. Her story speaks eloquently about solitude, the fragility of love, lost illusions, and self-discovery.

Following the publication of the widely acclaimed novel Seven Years comes a trove of stories from the Swiss master Peter Stamm. They all possess the traits that have built Stamm’s reputation: the directness of the prose, the deceptive surface simplicity of the narratives, and deep psychological insight into the existential dilemmas of contemporary life. Stamm does not waste a word, nor does he spare the reader’s feelings. These stories are a superb introduction to his work and a gift for all those who have come to regard his fiction as a precise rendering of the contemporary human psyche.

The Joseph Roth revival has finally gone mainstream with the thunderous reception for What I Saw, a book that has become a classic with five hardcover printings. Glowingly reviewed, What I Saw introduces a new generation to the genius of this tortured author with its "nonstop brilliance, irresistible charm and continuing relevance" (Jeffrey Eugenides, The New York Times Book Review). As if anticipating Christopher Isherwood, the book re-creates the tragicomic world of 1920s Berlin as seen by its greatest journalistic eyewitness. In 1920, Joseph Roth, the most renowned German correspondent of his age, arrived in Berlin, the capital of the Weimar Republic. He produced a series of impressionistic and political essays that influenced an entire generation of writers, including Thomas Mann and the young Christopher Isherwood. Translated and collected here for the first time, these pieces record the violent social and political paroxysms that constantly threatened to undo the fragile democracy that was the Weimar Republic. Roth, like no other German writer of his time, ventured beyond Berlin's official veneer to the heart of the city, chronicling the lives of its forgotten inhabitants: the war cripples, the Jewish immigrants from the Pale, the criminals, the bathhouse denizens, and the nameless dead who filled the morgues. Warning early on of the dangers posed by the Nazis, Roth evoked a landscape of moral bankruptcy and debauched beauty; a memorable portrait of a city and a time of commingled hope and chaos. What I Saw, like no other existing work, records the violent social and political paroxysms that compromised and ultimately destroyed the precarious democracy that was the Weimar Republic.