Maxima Library

The 9-word clue was one of 9 cryptic notes that had been sent to taunt Inspector Queen and Ellery 9 days after the murder. Nino Importuna had been obsessed with the number. He had lived by it. Now the killer who brought a trio of gory deaths to Nino's 9th-floor penthouse at No. 99 East was camouflaging his identity in a jungle of 9s. And daring Ellery to find him. The case was destined to be a dazzling contest of wits-to the 9th degree!

Who are you, Malone? Just a little while ago you were a cop. That was before the two punks and their girl hit town. That was before they boosted a payroll and shot down a man and took your 9-year-old daughter as insurance to cover their getaway. Now you're just a man. Scared. Not for yourself-that would be easy. But for your child, the only thing in the world you love enough to make you play ball with the kind of scum you've hated all your life.

Über Langeweile konnten sich die sechs geladenen Gäste ganz sicher nicht beklagen. Dem einen wurde Gift serviert – da waren’s nur noch fünf. Ein anderer wurde aufgespießt – da waren’s nur noch vier. Rechnet man den verflixt gut aussehenden Gastgeber Dr. Jack Richmond und seine Gattin noch dazu, dann waren’s wieder sechs.

Detektivleutnant Masters begann aber gar nicht erst zu rechnen – er kombinierte. Er kam der Lösung auch verteufelt nahe, aber erst ein vergessener Hausschlüssel half ihm, das Rätsel zu lösen.

Titel der amerikanischen Originalausgabe

BLOW HOT BLOW COLD

Deutsche Übersetzung von Gisela Stege

`Heredera que huye, padre implacable, madre angustiada, novio en un aprieto. ¿Qué más se puede pedir para empezar?`. Pues aún hay más: una escritora empeñada en contar una buena historia, un hombre dedicado a la adoración del cuerpo, a quien le diagnotican un cáncer, quizás, un impostor, un cadáver fugitivo y un detective kantiano de los que piensan que la razón pura es el bien esencial para descubrir las trampas de este caótico mundo.

Ellery Queen y su padre deben poner todo su ingenio a trabajar para resolver un caso en el que todo parece duplicado: los muertos, los hermanos, las claves, las soluciones y quizá incluso los culpables. Pero no hay nada que se resista a la sagacidad e imaginación de los Queen.

No suspense collection is complete without this anthology. Originally published in Ellery Queen’s Mystery Magazine, the stories in this volume represent many of the biggest names in detective and suspense fiction: Ellery Queen, Harold Q. Masur, Celia Fremlin, Jack Ritchie, Patricia Highsmith and Bill Pronzini are only a few of the prize-winning authors in this amazing volume.

Ellery Queen, il famoso giallista-detective, decide di trasferirsi nella pacifica cittadina di Wrightsville in cerca di tranquillità e colore locale per il suo prossimo romanzo; il posto sembra ideale, quieto fino alla noia, e gli abitanti sono una splendida fonte di ispirazione, con i loro tic e i piccoli vizi da provincia americana. Ellery passa il tempo leggendo e passeggiando, ma ama anche ascoltare le chiacchiere dei cittadini del piccolo centro. I pettegolezzi più gustosi ruotano intorno al matrimonio, improvviso quanto imprevedibile, tra la ricca Nora Wright e Jim, il giovane che anni prima l’aveva abbandonata a due passi dall’altare. Quando Nora inizia a soffrire di un male misterioso, l’intera città si trasforma in un covo di vipere e tutti sono pronti ad accusare l’uomo di avere avvelenato la moglie. Ma è possibile che Jim abbia sposato il suo antico amore solo per ucciderla? Naturalmente Ellery non riuscirà a scrivere una sola riga, impegnato come sarà a scoprire l’insospettabile verità nascosta dietro il primo delitto che la sonnacchiosa Wrightsville abbia conosciuto da molto tempo.

Ellery Queen is asked by a lawyer friend to help protect the interests of a pretty young heiress. They meet her, along with an unpleasant physician who is a friend of her family, as she disembarks in New York from an ocean liner arriving from England. She learns that her father, from whom she has been separated since her toddler years, has died just as she is to be reunited with her eccentric family and inherit her father’s fabled hoard of gold. The group drives for hours to reach an ugly and sinister Victorian house called the Black House at nightfall.

The Black House, where her father died, is uninhabitable — the group meets the family and beds down in a small stone house next door. When they awake, the Black House has vanished as though it never existed. Ellery must shake off the Gothic trappings and the suggestions of black magic in order to figure out what has happened to the Black House and the gold.

Ellery Queen’s arrival in Hollywood did not pass unnoticed. It Brought a pretty, nineteen-year-old girl to his apartment with a tale of murder so strange as to be irresistible to that connoisseur of bizarre crime. the story of a man who scared to death... murdered by a dead dog!..

This Ellery Queen’s 25th Detective Mystery, unfolds with a mounting tension as a dead fish, strangled frogs and the skin of an alligator become fantastic components in a grand design for murder.

Hillerman, author of the Joe Leaphorn mysteries, and Herbert, editor of The Oxford Companion to Crime and Mystery Writing, trace this short-story genre from its beginnings in the hands of Edgar Allen Poe through its development by the likes of Erle Stanley Gardner, Mary Roberts Rinehart and Anthony Boucher to its current practice by such masters as Marcia Muller. Poe's "The Murders in the Rue Morgue," which established a great many of the whodunit conventions, is indispensable to such an overview. Raymond Chandler's "I'll be Waiting" emits a doom-laden atmosphere right from the first line; William Faulkner shows unexpected economy of language?and a transparent plot?in "An Error in Chemistry." Ed McBain scores high marks in "Small Homicide," in which the tiny details of a baby's untimely death resonate uncomfortably. As represented in this competent, unstartling collection, Linda Barnes ("Lucky Penny") easily outsasses Sue Grafton ("The Parker Shotgun"). Hillerman makes a solid appearance with "Chee's Witch," and in "Benny's Space" Muller captures the full subtle force of her novel-length vision.