Maxima Library

Tras el regreso de las vacaciones navideñas, Caleb Prentiss hace un macabro descubrimiento: durante su ausencia, una chica desconocida ha sido brutalmente asesinada en su dormitorio. Para él, un estudiante frustrado por el tedio de los estudios, ese suceso supondrá algo más que un incidente extraño y se convertirá en una obsesión a la que aferrar su oscura vida de universidad. Emprenderá una búsqueda desesperada por averiguar la identidad de la chica y del misterioso asesino, una búsqueda que no podrá abandonar ni siquiera cuando toda su vida empiece a derrumbarse a su alrededor.

En un viaje iniciático a través del misterio, el miedo y la desesperación, Piccirilli eleva el listón del terror con una obra maestra indiscutible. Clase nocturna es algo más que una historia, es una sobrecogedora experiencia que muchos lectores tardarán en olvidar.

Clay was an honest New York City cop driven to bring down the mob and make his city a little safer, even when it seemed like nothing he did made any difference. He always played by the rules until a two-bit junkie hit man destroyed his family and left him for dead. But Clay won’t let himself lie down until he gets one last thing: revenge.

Praise for Fuckin’ Lie Down Already

Jack Ketchum, author of RED and THE LOST: “This is a small masterpiece. It’s said that the devil’s in the details and Tom got all the details exactly right. I always said Pic was one to watch. Fuck watching. He’s utterly there. A voice to listen to and learn from.”

Ed Gorman, author of THE POKER CLUB, THE AUTUMN DEAD and THE DAY THE MUSIC DIED: “Short, tight, effective crime fiction. My kind of writing.”

Bill Pronzini, author of SPOOK and STEP TO THE GRAVEYARD EASY: “Hard, hard, hard noir, very well done.”

Al Sarrantonio, author of Moonbane and Orangefield: “A potent mix of GoodFellas and the classic 1950 Edmond O’Brien film D.O.A. A pedal-to-the-metal cops and mobsters roller coaster ride- this story delivers!”

The night Johnny Danetello drove a dying girl through the streets of Brooklyn in his cab, he was trying to save her life. Instead he ran down a cop and lost her and his freedom. Every day in prison, Johnny knew that Angie Monticelli's family blamed him for her death, and that going home would be suicide. But Johnny has unfinished business with his former friend turned mob boss, Vinny Monticelli.

Now Johnny has returned to converse with the doomed and the dead-and wait for Vinny to make his move. Survivors of a long-ago freak accident, the two men share access to alternate realities no one else can know-and to a past and present that will all become the same in a city only one of them can leave alive…

"There are plenty of horror writers who can effectively conjure spooks and evoke squalor and desperation, but few can match Piccirilli's skill with words…One of the great strengths in the book is its supporting cast, deftly drawn individuals with their own histories, fears, and motivations…NOVEMBER MOURNS is dark, ambiguous, strange, and sometimes surprisingly sweet. The horror here is as much about lost opportunities and failed attempts at salvation as it is about monsters and killers. If Eudora Welty had written about wraiths and haunted hills, it might have sounded like this. The taint in the land brings William Faulkner to mind, while the taint in the people is pure Flannery O'Connor. Piccirilli has taken Southern Gothic imagery and woven it with his own poetry to create something uniquely his own, a book of terrible beauty and beautiful terrors."-Locus

"Piccirilli creates a geography of pain and wonder, tenderness and savageness. There is as much poet as popular entertainer in Piccirilli's approach."-Cemetery Dance

From International Thriller Writers Award winner and Edgar Award nominee Tom Piccirilli comes a mesmerizing suspense novel that explores the bonds of family and the ways they're stretched by guilt, grief, and the chance for redemption.

Raised in a clan of small-time thieves and grifters, Terrier Rand decided to cut free from them and go straight after his older brother, Collie, went on a senseless killing spree that left an entire family and several others dead. Five years later, and days before his scheduled execution, Collie contacts Terry and asks him to return home. He claims he wasn't responsible for one of the murders-and insists that the real killer is still on the loose.

Uncertain whether his brother is telling the truth, and dogged by his own regrets, Terry is drawn back into the activities of his family: His father, Pinsch, who once made a living as a cat burglar but retired after the heartbreak caused by his two sons. His card sharp uncles, Mal and Grey, who've recently incurred the anger of the local mob. His grandfather, Old Shep, who has Alzheimer's but is still a first-rate pickpocket. His teenage sister, Dale, who's flirting with the lure of the criminal world. And Kimmy, the fiancée he abandoned, who's now raising a child with his former best friend.

As Terrier starts to investigate what really happened on the day of Collie's crime spree, will the truth he uncovers about their offenses and secrets tear the Rands apart?

Walking the razor-sharp edge between love and violence, with the atmospheric noir voice that is his trademark, The Last Kind Words demonstrates why Tom Piccirilli has become a must-read author.

This edition of Maxim Jakubowski’s Best New Erotica series auspiciously appears with a new collection of fiction from forty-eight artisans of the sensual. Selected from stories by more than 4,000 authors of erotica from around the world, these artful excursions into the libido represent the current states of desire in Great Britain, the United States, Canada, Australia, and France. In this third new volume of voluptuary pursuits, tales by popular talents in the arts of titillation like Michel Faber, Michael Crawley, M. Christian, O’Neil De Noux, Alison Tyler, and Cara Bruce stand alongside stories from promising newcomers to the field of erotic fiction. All of them nonetheless share a standard of excellence and elegance that takes their often humorous, sometimes dark, and always original fictions far beyond tired conventions. So it is that John Grant presents “The Adventures of Thomas the Rock Star in the Court of the Queen of Faery,” while Cheyenne Blue depicts the misadventures of a city girl in “Cactus Ass.” Then, too, there’s Dawn O’Hara’s “London Derrière.” Claire Tristram serves up “Tomatoes: A Love Story in Three Parts” while Susannah Indigo offers the combination of “Bacon, Lola and Tomato,” as Mark Ramsden relishes what’s “Truly Scrumptious.”

An all original anthology from some of todays hottest supernatural writers, featuring stories of monsters from the monster's point of view.

In most stories we get the perspective of the hero, the ordinary, the everyman, but we are all the hero of our own tale, and so it must be true for legions of monsters, from Lucifer to Mordred, from child-thieving fairies to Frankenstein's monster and the Wicked Witch of the West. From our point of view, they may very well be horrible, terrifying monstrosities, but of course they won’t see themselves in the same light, and their point of view is what concerns us in these tales. Demons and goblins, dark gods and aliens, creatures of myth and legend, lurkers in darkness and beasts in human clothing… these are the subjects of The Monster’s Corner. With contributions by Lauren Groff, Chelsea Cain, Simon R. Green, Sharyn McCrumb, Kelley Armstrong, David Liss, Kevin J. Anderson, Jonathan Maberry, and many others.