Maxima Library

Combining complex science with skillfully executed prose, these edgy, award-winning tales explore the shifting border between the known and the alien.

The beauty and peril of technology and the passion and penalties of conviction merge in narratives that are by turns dark, satiric, and introspective. Among these bold storylines:

• A seemingly humanized monster from John Carpenter’s The Thing reveals the true villains in an Antarctic showdown;

• An artificial intelligence shields a biologically enhanced prodigy from her overwhelmed parents;

• A deep-sea diver discovers her true nature lies not within the confines of her mission but in the depths of her psyche;

• A court psychologist analyzes a psychotic graduate student who has learned to reprogram reality itself; and

• A father tries to hold his broken family together in the wake of an ongoing assault by sentient rainstorms.

Gorgeously saturnine and exceptionally powerful, these collected fictions are both intensely thought-provoking and impossible to forget.

Lacey Hillcrest of Pensacola, 50 years old and a devout Pentecostal, had been diagnosed with inoperable lymphatic cancer and given six months to live. Five years later she was still alive. She attributed her survival to a decorative silver-plated cross received from her sister, Gracey Balfour.

On the morning of 27 June, Mrs Hillcrest and her sister patronized the Museum of Quackery and Pseudoscience, owned and managed by one Linus C. Velikovsky, where she got to know about placebo. Within a month she was dead.

The charge against Mr Velikovsky was negligent homicide.

„Ślepowidzenie” w genialny sposób na nowo definiuje historię o pierwszym kontakcie. U Petera Wattsa obcy nie są ani cudacznie przebranymi ludźmi, ani kompletnie niezrozumiałymi czarnymi monolitami — są czymś nowym, o wiele bardziej bulwersującym, zmuszającym nas do wyciągnięcia dość nieprzyjemnych wniosków co do natury świadomości. Gdy przestaniesz o tym myśleć, poczujesz ciarki na plecach!

A poet and a bear journey toward the ruins of a city in search of answers; a diminutive man seeks satisfaction within a secluded mountain cave; an elderly widow enjoys the company of a collection of robotic cowboys; the Boy Who Never Grew Up becomes an agent of Her Majesty's Secret Service; a werewolf girl joins the cast of a musical revue; a group of hardened mercenaries takes on a foolish job; a young man learns the ways of the world in the arms of a Sylvanian maiden; a teenage girl attempts to escape her domineering mother’s influence aboard a cargo spaceship; an impossible flying machine departs on its maiden voyage… The depth and breadth of science fiction and fantasy fiction continues to change with every passing year. The twenty-nine stories chosen for this book by award-winning anthologist Jonathan Strahan carefully map this evolution, giving readers a captivating and always-entertaining look at the very best the genre has to offer

The vast and mysterious universe is explored in this reprint anthology from award-winning editor and anthologist Neil Clarke (Clarkesworld magazine, The Best Science Fiction of the Year).

The urge to explore and discover is a natural and universal one, and the edge of the unknown is expanded with each passing year as scientific advancements inch us closer and closer to the outer reaches of our solar system and the galaxies beyond them.

Generations of writers have explored these new frontiers and the endless possibilities they present in great detail. With galaxy-spanning adventures of discovery and adventure, from generations ships to warp drives, exploring new worlds to first contacts, science fiction writers have given readers increasingly new and alien ways to look out into our broad and sprawling universe.

The Final Frontier delivers stories from across this literary spectrum, a reminder that the universe is far large and brimming with possibilities than we could ever imagine, as hard as we may try.

[Contains tables.]

She believed in the mission with all her heart.

But that was sixty million years ago.

How do you stage a mutiny when you're only awake one day in a million? How do you conspire when your tiny handful of potential allies changes with each shift? How do you engage an enemy that never sleeps, that sees through your eyes and hears through your ears and relentlessly, honestly, only wants what best for you?

Sunday Ahzmundin is about to find out.

So, "The Island" got a Hugo nom. Which means I'm supposed to pimp it, which is fine because it's been far too long since I swapped out the fiction on this page anyway. So here you go, with a couple of embedded illustrations by Dan Ghiordanescu and Chris Butler.

A bit of background. "The Island" is a standalone novelette. It is also one episode in a projected series of connected tales (a lá Stross's Accellerandoor Bradbury's The Martian Chronicles) that start about a hundred years from now and extends unto the very end of time. And in some parallel universe where I not only get a foothold into the gaming industry but actually keep one, it is a mission level for what would be, in my opinion, an extremely kick-ass computer game.