Maxima Library

Jack McDevitt has been a Sherlock Holmes fan since he was a teenager, although he reports that Holmes-style mysteries, whodunits, are not his favorite style. Jack encountered Gilbert Chesterton’s Father Brown tales a few years later and they ultimately became the prime influence in his science fiction. The issue with Father Brown was never a question of who committed the murder, but rather what in heaven’s name is going on here?

Why does an astronaut, in “Cathedral,” sacrifice her life to collide with an asteroid that she knows poses no threat to the Earth? Why does a scientist who’s designed an actual working AI in “The Play’s the Thing,” hide what he’s done? How is it that the lives of two people working at Moonbase in “Blinker” depend on a quasar?

In “Lucy,” Jack shows us why sending automated vehicles to explore the distant outposts of the solar system may not be a good idea. And in “Searching for Oz,” an alternate history story, how things might have been if SETI had gotten what it was looking for. He describes our reaction in “Listen Up, Nitwits,” when a voice begins speaking to us, apparently from Jupiter, in Greek. And in “The Lost Equation,” a Holmes adventure, we discover who really was first to arrive at e=mc2.

Jack also provides two episodes, “Maiden Voyage” and “Waiting At the Altar,” from Priscilla Hutchins’ qualification flight; and an effort by a sixteen-year-old Alex Benedict, in the title story with his uncle Gabe and Chase Kolpath’s mom, Tori, who are trying to understand why a brilliant radio entertainer, lost in the stars when his drive unit suffered a malfunction, never said goodbye.

These and thirteen other rides into odd places await the reader.

The Roadmakers left only ruins behind—but what magnificent ruins! Their concrete highways still cross the continent. Their cups, combs and jewelry are found in every Illyrian home. They left behind a legend, too—a hidden sanctuary called Haven, where even now the secrets of their civilization might still be found.

Chaka’s brother was one of those who sought to find Haven and never returned. But now Chaka has inherited a rare Roadmaker artifact—a book called

A Connecticut Yankee in King Arthur’s Court

—which has inspired her to follow in his footsteps. Gathering an unlikely band of companions around her, Chaka embarks upon a journey where she will encounter bloodthirsty river pirates, electronic ghosts who mourn their lost civilization and machines that skim over the ground and air. Ultimately, the group will learn the truth about their own mysterious past.

Amazon.com Review

Eternity Road

is set 1,000 years from now, when the world as we know it has been dead for eight centuries, destroyed by a plague that killed most of humanity. Technological artifacts remain, but the knowledge of what they are and how to use them has been lost by a society that has degenerated into a series of city-states. Legend has it that the Roadmakers left a store of knowledge in a place called Haven, but when an expedition from Memphis sets out to find it, only one person returns. The lone, dishonored survivor eventually kills himself, but his son is determined to try again…

From Library Journal

After a cataclysmic viral plague wiped out humanity sometime in the 21st century, the next civilization arose in isolated pockets. In the Mississippi Valley, Illyrians built their town on what had been the Roadmakers’ Memphis. Some believed in the mythical Haven on the eastern ocean where books and other technological wonders had been saved. When all but one member of an expedition dies trying to find Haven, the leader's son joins a second party on the long overland trek east. Unfortunately, the book raises more questions than it answers about the knowledge that was lost, leaving the reader unsatisfied. From the author of

Ancient Shores

(HarperCollins, 1996); a possible candidate to sf collections.

We are alone. That is the verdict, after centuries of SETI searches and space exploration. The only living things in the universe are found on the Nine Worlds settled by Earthlings, and the starships that knit them together. Or so it seems, until Dr. Kimberly Brandywine begins to investigate what happened to her sister (and clone) Emily, who, after the final, unsuccessful manned SETI expedition, disappeared along with four others—one of them a famous war hero. But they were not the only ones to vanish: so did an entire village, destroyed by a still-unexplained explosion. Following a few clues Kim discovers that the log of the ill-fated Hunter was faked. Something happened, out there in the darkness between the stars. Someone was murdered—and something was brought back. Kim is prepared to go to any length to find out the truth, even if it means giving up her career with Beacon, the most colossal—and controversial—of all the SETI projects. Even if it means stealing a starship. Even if it means giving up her only love. Kim is about to discover the answer to humanity’s oldest question. And she’s going to like the answer even less than she imagines.

Lightspeed

(

www.lightspeedmagazine.com

) is the critically-acclaimed, online science fiction magazine edited by bestselling anthologist John Joseph Adams. Lightspeed publishes all types of science fiction, from near-future, sociological soft sf, to far-future, star-spanning hard sf, and anything and everything in between. Each month, Lightspeed features a mix of originals and reprints, from a variety of authors—from the bestsellers and award-winners you already know to the best new voices you haven't heard of yet. Now, in Lightspeed: Year One, you will find all of the fiction published in Lightspeed's first year, from new stories such as Nebula Award finalists, Vylar Kaftan’s “I’m Alive, I Love You, I’ll See You in Reno” and “Arvies” by Adam-Troy Castro, and Carrie Vaughn’s Hugo Award-nominee “Amaryllis,” to classic reprints by Stephen King, Ursula K. Le Guin, George R. R. Martin, and more.

IT’S THE END OF THE WORLD AS WE KNOW IT…

For decades, the apocalypse and its aftermath have yielded some of the most exciting short stories of all time. From David Brin’s seminal “The Postman” to Hugh Howey’s “Deep Blood Kettle” and Tananarive Due’s prescient “Patient Zero,” the end of the world continues to thrill.

This companion volume to the critically acclaimed WASTELANDS offers thirty of the finest examples of post-apocalyptic short fiction, with works by:

Ann Aguirre

Megan Arkenberg

Paolo Bacigalupi

Christopher Barzak

Lauren Beukes

David Brin

Orson Scott Card

Junot Díaz

Cory Doctorow

Tananarive Due

Toiya Kristen Finley

Milo James Fowler

Maria Dahvana Headley

Hugh Howey

Keffy R. M. Kehrli

Jake Kerr

Nancy Kress

Joe R. Lansdale

George R. R. Martin

Jack McDevitt

Seanan McGuire

Maureen F. McHugh

D. Thomas Minton

Rudy Rucker & Bruce Sterling

Ramsey Shehadeh

Robert Silverberg

Rachel Swirsky

Genevieve Valentine

James Van Pelt

Christie Yant

Award-winning editor John Joseph Adams has once again assembled a who’s who of short fiction, and the result is nothing short of mind-blowing.

Famine, Death, War, and Pestilence: The Four Horsemen of the Apocalypse, the harbingers of Armageddon — these are our guides through the Wastelands…

From the

Book of Revelation

to

The Road Warrior

; from

A Canticle for Leibowitz

to

The Road

, storytellers have long imagined the end of the world, weaving eschatological tales of catastrophe, chaos, and calamity. In doing so, these visionary authors have addressed one of the most challenging and enduring themes of imaginative fiction: the nature of life in the aftermath of total societal collapse.

Gathering together the best post-apocalyptic literature of the last two decades from many of today’s most renowned authors of speculative fiction — including George R.R. Martin, Gene Wolfe, Orson Scott Card, Carol Emshwiller, Jonathan Lethem, Octavia E. Butler, and Stephen King —

Wastelands

explores the scientific, psychological, and philosophical questions of what it means to remain human in the wake of Armageddon. Whether the end of the world comes through nuclear war, ecological disaster, or cosmological cataclysm, these are tales of survivors, in some cases struggling to rebuild the society that was, in others, merely surviving, scrounging for food in depopulated ruins and defending themselves against monsters, mutants, and marauders.

Complete with introductions and an indispensable appendix of recommendations for further reading,

Wastelands

delves into this bleak landscape, uncovering the raw human emotion and heart-pounding thrills at the genre’s core.

www.johnjosephadams.com

.

Wastelands: Stories of the Apocalypse