Maxima Library

Our hero and narrator is the ageing caretaker of cottages at a summer resort. A mysterious visitor inspires him to share the story of his long life: we witness a happy childhood cut short by the war, his hiding from the Nazis buried in a heap of potatoes, his plodding attempts to play the saxophone, the brutal murder of his family, loves lost but remembered, and footloose travels abroad. Told in the manner of friends and neighbors swapping stories over the mundane task of shelling beans — in the grand oral tradition of Myśliwski’s celebrated Stone Upon Stone — each anecdote, lived experience, and memory accrues cross-stitched layers of meaning. By turns hilarious and poignant, A Treatise on Shelling Beans is an epic recounting of a life that, while universal, is anything but ordinary.

"The originality of Tulli's writing is not lessened by representing a family tree that includes Michaux, Kafka, Calvino, and Saramago." — W.S. Merwin

In this inventive novel, Magdalena Tulli creates a world that is unreal, yet strangely familiar and utterly convincing. Set in a mythical fourth partition of Poland, In Red is full of haunting descriptions of the town and its inhabitants; its power lies in Tulli's evocative, almost hallucinatory use of language.

A feckless, comical narrator struggles against all odds to tell a story for which he is responsible, but which he neither controls nor understands. His characters multiply, repeat, and go astray; his employer pays no attention, asleep in a drunken stupor. The increasingly desperate narrator clambers over rooftops and through underground passages, watching helplessly as his characters reappear in different times and settings and start rival stories against his will. This brilliant, wryly humorous work tells of the sadness of the world and of the inadequate means that language and storytelling offer for describing and understanding it. Yet it does so in Tulli's characteristically clear, concrete, gorgeous prose. This extraordinary work, unique in both form and message, shows a European master at the height of her powers and constitutes a major contribution to a new century of European literature. A wildly inventive page-turner.

Stanislaw Lem’s cult classic novel Solaris is finally getting a direct-to-English translation, reports the Guardian, restoring much of the author’s original words.

The novel, originally published in Polish in 1961, tells of humans’ struggling attempts to communicate with an alien intelligence. It’s inspired films by Andrei Tarkovsky and Steven Soderberg. But for all its canonical status, the only English version was published in 1970, translated from a French translation that Lem himself didn’t like. This game of linguistic telephone apparently muddled all kinds of things. Says the new translator, Indiana University professor Bill Johnson:

“Much is lost when a book is re-translated from an intermediary translation into English, but I’m shocked at the number of places where text was omitted, added, or changed in the 1970 version… Lem’s characteristic semi-philosophical, semi-technical language is also capable of flights of poetic fancy and brilliant linguistic creativity, for example in the names of the structures that arise on the surface of Solaris.

Lots of the changes in the new edition will restore original names: Kris Kelvin’s wife becomes Harey instead of Rheya; Alpha in Aquarius is Alpha Aquarii once more…”

A masterpiece of postwar Polish literature, Stone Upon Stone is Wiesław Myśliwski's grand epic in The rural tradition — a profound and irreverent stream of memory cutting through the rich and varied terrain of one man’s connection to the land, to his family and community, to women, to tradition, to God, to death, and to what it means to be alive. Wise and impetuous, plainspoken and compassionate Szymek, recalls his youth in their village, his time as a guerrilla soldier, as a wedding official, barber, policeman, lover, drinker, and caretaker for his invalid brother. Filled with interwoven stories and voices, by turns hilarious and moving, Szymek’s narrative exudes the profound wisdom of one who has suffered, yet who loves life to the very core.

The Mighty Angel concerns the alcoholic misadventures of a writer named Jerzy. Eighteen times he's woken up in rehab. Eighteen times he's been released — a sober and, more or less, healthy man — after treatment at the hands of the stern therapist Moses Alias I Alcohol. And eighteen times he's stopped off at the liquor store on the way home, to pick up the supplies that are necessary to help him face his return to a ruined apartment.

While he's in rehab, Jerzy collects the stories of his fellow alcoholics — Don Juan the Rib, The Most Wanted Terrorist in the World, the Sugar King, the Queen of Kent, the Hero of Socialist Labor — in an effort to tell the universal, and particular, story of the alcoholic, and to discover the motivations and drives that underlie the alcoholic's behavior.

A simultaneously tragic, comic, and touching novel, The Mighty Angel displays Pilch’s caustic humor, ferocious intelligence, and unparalleled mastery of storytelling.